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KVB127
OPEN TASK 2
I extended one of images from my [Siteworks II] work to produce a gif.
I am in love with the 1960s and 70s minimalism and conceptual art movement, and I find a lot of my views of art influenced by the attitudes of that time.
For example, right after my first studio session in week 1, I felt very passionate and dramatic about art and wrote myself a manifesto-type list of 'rules' for my art:
I am in love with the 1960s and 70s minimalism and conceptual art movement, and I find a lot of my views of art influenced by the attitudes of that time.
For example, right after my first studio session in week 1, I felt very passionate and dramatic about art and wrote myself a manifesto-type list of 'rules' for my art:
REPEAT AFTER ME
REPEAT AFTER ME
REPEAT AFTER ME
REPEAT AFTER ME
REPEAT AFTER ME
REPEAT AFTER ME
REPEAT AFTER ME
REPEAT AFTER ME
BACKGROUNDING
The backgrounding task was challenging for me, because growing up in a rural town, and going to a school where my sister and I were the only Indians that we knew of, I spent a whole lot of time and effort trying to assimilate into 'Australian Culture', and pushing my Indian identity aside, so that I ended up feeling like my 'Indian' and my 'white-assimilated' self were two different people. In class this week, when we were asked to get into pairs and talk about our background, I found so much of my complicated relationship with my cultural identity resurface and Isere, who was my partner for the activity listened so patiently.
Because I formally studied Hindi (which is not my mother tongue) for 5 years when I lived in Hyderabad, I immediately gravitated towards making a work about the Hindi language and script.
I remembered this one homework task I was given to us in Year 2, where I had to write out each of the 36 'consonant sounds' with each of the 12 'vowel sounds' on a massive piece of paper, and I remember it taking me a painfully long time. I tried recreating that sporadically at 1 am one night. But I realised Hindi doesn't play a big part in my life anymore, and I also realised that I never properly learnt the Bengali script.
So I asked my mum to teach me.
This is a collaborative work with my mum, where she taught me to write the Bengali script.
I would ideally have liked to use white chalk on slate boards, because that's what is used in the Bengali ceremony were children are first introduced to writing. But we used while chalk pastels on black craft paper instead.
Although I don't like the final product as a work itself, I learned so much from my mum in the process of doing this, and it sparked interest for me to slowly start reading Bengali books and watch more Bengali films. I read this article in 2017 when I just started senior art in high school, talking about being an 'Australian-born Indian' and I felt so heard by it and still feel very attached to it, but I think if it hadn't been for this task, I'd still be subconsciously trying to distance myself from my Bengali-ness.
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